Suzuki Violin Book 1 Download Music
Update from Alfred Music Publishing, 1/25/13
Concerning availability of Suzuki recordings as mp3 downloads
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Responding to requests from members, the International Suzuki Association began working with Alfred Music Publishing approximately a year ago to make the Suzuki recordings available as mp3 downloads. We are very excited to let you know that this summer recordings will become available at Alfred.com/downloads, beginning with the first volumes of violin, viola, cello, and bass.
Suzuki Violin School, Vol 1 book. Read 15 reviews from the world's largest community for readers. The most Current version of the Suzuki Violin Method Books. Get this first Book with the CD. 26 January 1998) was the inventor of the international Suzuki method of music education and developed a philosophy for educating people of all ages. Update from Alfred Music Publishing, 1/25/13 Concerning availability of Suzuki recordings as mp3 downloads. Responding to requests from members, the International Suzuki Association began working with Alfred Music Publishing approximately a year ago to make the Suzuki recordings available as mp3 downloads.
The request is in to iTunes and Amazon to also carry the recordings, but Alfred has no control over when this will happen. For pedagogical reasons, the ISA made the decision that the recordings will be sold by book as albums, rather than as individual pieces. Alfred is pleased to make this option available.
Also working with new technology, these same volumes will be released as eBooks later in 2013 through the Apple store. This exciting format includes the audio, embedded on the page with the music.
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The Suzuki Method: Every Child Can Learn
More than fifty years ago, Japanese violinist Shinichi Suzuki realized the implications of the fact that children the world over learn to speak their native language with ease. He began to apply the basic principles of language acquisition to the learning of music, and called his method the mother-tongue approach. The ideas of parent responsibility, loving encouragement, constant repetition, etc., are some of the special features of the Suzuki approach.
Parent Involvement
As when a child learns to talk, parents are involved in the musical learning of their child. They attend lessons with the child and serve as “home teachers” during the week. One parent often learns to play before the child, so that s/he understands what the child is expected to do. Parents work with the teacher to create an enjoyable learning environment.
Early Beginning
The early years are crucial for developing mental processes and muscle coordination. Listening to music should begin at birth; formal training may begin at age three or four, but it is never too late to begin.
Listening
Children learn words after hearing them spoken hundreds of times by others. Listening to music every day is important, especially listening to pieces in the Suzuki repertoire so the child knows them immediately.
Repetition
Constant repetition is essential in learning to play an instrument. Children do not learn a word or piece of music and then discard it. They add it to their vocabulary or repertoire, gradually using it in new and more sophisticated ways.
Encouragement
As with language, the child’s effort to learn an instrument should be met with sincere praise and encouragement. Each child learns at his/her own rate, building on small steps so that each one can be mastered. Children are also encouraged to support each other’s efforts, fostering an attitude of generosity and cooperation.
Learning with Other Children
In addition to private lessons, children participate in regular group lessons and performance at which they learn from and are motivated by each other. Graded Repertoire Children do not practice exercises to learn to talk, but use language for its natural purpose of communication and self-expression. Pieces in the Suzuki repertoire are designed to present technical problems to be learned in the context of the music rather than through dry technical exercises.
Delayed Reading
Children learn to read after their ability to talk has been well established. in the same way, children should develop basic technical competence on their instruments before being taught to read music.
NOTE: The only difference between the International and Revised Editions is the Foreword. The piece selection, markings, notes, etc. are identical.